| ID |
Image |
Oil Pantings, Sorted from A to Z |
Other Information |
| 5924 |
|
Assumption of the Virgin Mary dfg |
1600-01
Oil on canvas, 245 x 155 cm
Cerasi Chapel, Santa Maria del Popolo, Rome |
| 5923 |
|
Assumption of the Virgin sdf |
c. 1590
Oil on canvas, 130 x 97 cm
Museo del Prado, Madrid |
| 5935 |
|
Atlante fgh |
Sanguine
Mus??e du Louvre, Paris |
| 66052 |
|
Bacchantin, Detail |
c. 1590
112 x 142 cm (44.09 x 55.91 in) |
| 32275 |
|
Butcher's Shop |
1580s
Oil on canvas, 185 x 266 cm |
| 5936 |
|
Ceiling fresco dfg |
1597-1602
Fresco
Palazzo Farnese, Rome |
| 5928 |
|
Domine quo vadis df |
1601-02
Oil on panel, 77,4 x 56,3 cm
National Gallery, London |
| 32277 |
|
Fishing |
before 1595
Oil on canvas, 136 x 253 cm |
| 5934 |
|
Holy Women at the Tomb of Christ (detail) fg |
Oil on canvas
The Hermitage, St. Petersburg |
| 5940 |
|
Homage to Diana ds |
1597-1602
Fresco
Palazzo Farnese, Rome |
| 5925 |
|
Lamentation of Christ df |
1606
Oil on canvas, 92,8 x 103,2 cm
National Gallery, London |
| 63838 |
|
Madonna Enthroned with St Matthew |
1588 Oil on canvas, 384 x 255 cm Gem?ldegalerie, Dresden This painting of the type 'Sancta Conversazione' has great significance in the formation of the Baroque style. The participants of this conversition - beside St Matthew with his attribute of the reclining angel - are St Francis of Assisi and St John the Baptist. The painting is dated and signed as HANNIBAL CARRACTIUS BON F. MDLXXXVIII.Artist:CARRACCI, Annibale Title: Madonna Enthroned with St Matthew Painted in 1551-1600 , Italian - - painting : religious |
| 5929 |
|
Rest on Flight into Egypt ff |
c. 1600
Oil on canvas, diameter 82,5 cm
The Hermitage, St. Petersburg
|
| 5931 |
|
Self-portrait dfg |
c. 1604
Oil on wood, 42 x 30 cm
The Hermitage, St. Petersburg |
| 5930 |
|
Self-Portrait in Profile sdf |
1590s
Oil on canvas
Galleria degli Uffizi, Florence |
| 5927 |
|
The Choice of Heracles sd |
c. 1596
Oil on canvas, 167 x 273 cm
Museo Nazionale di Capodimonte, Naples |
| 5941 |
|
The Cyclops Polyphemus dfg |
1595-1605
Fresco
Palazzo Farnese, Rome |
| 5926 |
|
The Flight into Egypt dsf |
1603
Oil on canvas, 122 x 230 cm
Galleria Doria-Pamphili, Rome |
| 5937 |
|
The Galleria Farnese cvdf |
1597-1602
Fresco
Palazzo Farnese, Rome |
| 51191 |
|
The Laughing Youth |
1583
Oil on paper Galleria Borghese, Rome Capturing a moment of laughter in painting is not an easy task, |
| 5932 |
|
The Martyrdom of St Stephen vcd |
1603-04
Oil on canvas, 51 x 68 cm
Mus??e du Louvre, Paris |
| 32290 |
|
The Virgin Appears to Sts Luke and Catherine |
1592
Oil on canvas, 401 x 226 cm |
| 63844 |
|
Triptych |
1604-05 Oil on copper and panel, 37 x 24 cm (central panel), 37 x 12 cm (each wing) Galleria Nazionale d'Arte Antica, Rome The central panel shows the Piet? while on the wings St Cecilia (left) and St Ermenegildus are represented. This small triptych originally belonged to Cardinal Odoardo Farnese, and the Farnese inventories document it as a work of Annibale Carracci as early as 1619. The attribution to Annibale was unquestioned until 1956 when, for stylistic reasons, the tabernacle was assigned to the Carracci workshop and given specifically to the hand of Innocenzo Tacconi. Despite this, the general conception of the work was attributed to Annibale on the basis of a drawing preserved at the Louvre (Paris). More recently, the documentary research has proven that the painting was commissioned directly from the artist by Cardinal Farnese sometime after 1603, the year in which he was obliged to renounce his claims to the succession to the English throne. Considering the importance of the commission, it seems difficult to argue against attribution to Carracci himself. The high quality of the Piet?and stylistic comparison of this central panel to Annibale's many other treatments of the subject lead to the assignment of this part of the execution to the master. It is, however, possible that Annibale allowed assistants (Innocenzo Tacconi or Antonio Carracci) to work on secondary panels, as these are slightly different in some of the details of execution.Artist:CARRACCI, Annibale Title: Triptych Painted in 1551-1600 , Italian - - painting : religious |
| 63845 |
|
Triptych |
1604-05 Oil on copper and panel, 37 x 24 cm (closed) Galleria Nazionale d'Arte Antica, Rome The closed triptych represents St Michael the Archangel (left) and the Guardian Angel (right).Artist:CARRACCI, Annibale Title: Triptych Painted in 1551-1600 , Italian - - painting : religious |
| 5933 |
|
Triptych dsf |
1604-05
Oil on copper and panel, 37 x 24 cm (closed)
Galleria Nazionale d'Arte Antica, Rome |
| 5939 |
|
Triumph of Bacchus and Ariadne (detail) dsg |
1595-1605
Fresco
Palazzo Farnese, Rome |
| 5938 |
|
Triumph of Bacchus and Ariadne sdg |
1597-1602
Fresco
Palazzo Farnese, Rome |
| 32289 |
|
Venus with a Satyr and Cupids |
c. 1588
Oil on canvas,
112 x142 cm |
